Sound Bulletin
Promising singer Sima King has just released a touching and soothing version of the iconic song “Do That to Me One More Time”, originally performed by Captain & Tennille. Known for her rich delivery and heartfelt performance, Sima King brings a renewed yet reminiscent vibe to this well-loved anthem.
A soft Recognition to a vintage Tune
Sima King’s cover is a heartfelt tribute to the original, infusing it with elegant orchestration and a modern sound while preserving the touching depth that made the 1979 hit a chart-topping entry. With her mellow, expressive singing and clean soundscape, King creates an emotional moment that speaks directly to the soul.
The rendition showcases her original ability to breathe new life into timeless tunes, making it resonate with both loyal followers of the original and new audiences alike.
Available Now on All Top Media Outlets
Released in early June 2025, the release is now available for streaming on Spotify, Apple Music, YouTube, and all dominant outlets. Followers are already praising the rendition for its gentle style and theatrical tone.
Why This Offering Matters
“Do That to Me One More Time” is a song that has stood the test of time, and Sima King’s take reaffirms its touching influence. This performance marks another step in King’s rise as an upcoming musician known for transforming golden songs into updated interpretations.
Whether you're a supporter of emotional tracks, vintage pop, or minimal performances, Sima King’s latest interpretation is a must-listen.
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This could lead to your resurgence of classic love songs, having a center on timeless melodies and heartfelt lyrics.
This authenticity makes the songs more impactful and unforgettable. When you hear a love song from 2025, you really feel such as you're A part of the story, dealing with the feelings firsthand.
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Gimbel has also turned website down Lieberman’s recollections, but in doing this, he contradicted himself. Inside of a 1973 Day-to-day News short article, Gimbel said, “She [Lieberman] advised us about this sturdy encounter she had listening to McLean (‘I felt all flushed with fever / Humiliated by the group / I felt he had found my letters / And skim each out loud / I prayed that he would finish / But he just kept right on’).
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But none of those versions stood out in a method to separate itself within the very long shadow cast by Flack’s version. The most notable alterations were that Como, Williams, and Humperdinck adjusted the gender on the singer. Any one of these would've fit in beautifully at a ’70s prom.
This surprises me for 2 good reasons: 1, that a lot of artists are making the choice to cover a Britney Spears song and 2, that they’re accomplishing it so shortly. I suppose it’s kitschy in its very own way, and there is definitely a humorous novelty facet to it, but these more than respectable covers only seek out to highlight the likely for Britney Spears’ songs and solidify her relevance inside the music earth. Not totally certain if that’s a very good or a bad point…